For our 50th podcast, we decided it would be a good time for us to speak candidly about where we have come from, where we are going, and where we are now with the project: not only as an update to those who have been following us for a long time, but as a way to introduce ourselves to everyone who is new to Death in The Garden. We discuss the creative process, and the challenges that come when one feels that they need to commodify themselves in order to stay “relevant” or to feel important. We talk about recognizing our personal limitations, and our awareness that growth and mastery take time, energy, and focus. We explain our current creative process with the film/book, and discuss how important it is for us to feel like we can put all of our energy into those long-form pieces. We discuss how the creative process is like a conception, a gestating, and a birth, and the death and fear that comes with that sort of transformation. We also talk about growth, collaboration, and where the project will go beyond the film and book.
We also break down the ways that the podcast is going to change, namely through the introduction of a new series which will be entitled “A 30,000 ft. View with James Connolly.” James Connolly, who is not only our mentor and friend, is the producer of Sacred Cow and Death in The Garden. In these episodes, we will share new and interesting conversations about a myriad of topics that are part of the larger web of the transcontextual world we live in: from white supremacy, to effective altruism, to Davos men, and beyond. These episodes will include a conversational intro between the three of us, and then will follow into a interview James has hosted with an author, journalist, researcher, or artist who is an expert on whatever given topic.
We’re not going anywhere: we’re just honoring our creative process, focusing deeply on the creation of the film series and book, and will be so happy and grateful to share writing and podcasts with you as our creativity and curiosity flourishes. Thank you all for being here.
Editing: Jake Marquez
Music: “Love It If We Made It” by The 1975
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